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dave matthews
Dave Matthews, Phish is another touring act that has attracted
an impossible number of fans who travel relentlessly across North
America to see their favourite jam-band. Such is the underlying
theme of the Dave Matthews Band rise to stardom and their continued
success throughout the past ten years.
DMB initially formed in 1991 in the quiet confines of Charlottesville,
Virginia when South African-born vocalist/guitarist Dave Matthews
decided to do something with the growing list of songs he had
written. He recruited some backup musicians to add depth to his
tunes, bringing together Carter Beauford (drums), LeRoi Moore
(saxophone), Stefan Lessard (bass), Peter Griesar (keyboards),
and Boyd Tinsley (violinist), and thus formed the Dave Matthews
Band. Griesar would leave the band after a couple short years,
leaving a finalized lineup of five members.
The band played their first gig in 1991 in Charlottesville. Immediately,
impressed audience members told others about the quality of the
act they had just scene and that debut gig turned into gigs, and
then appearances across Virgina. The Dave Matthew Band struck
a nerve with fans accustomed to mediocre bands playing mediocre
songs. Immediately the band saw a future in their music, and tried
to build upon it.
Proof of the band's initial popularity falls in the sales of
their self-produced debut release, Remember Two Things. Despite
no airplay or promotion, other than the band setting up shop at
their numerous concert dates, the album sold at the incredible
rate of 10,000 units monthly - an almost unheard number for an
independent band. The album sold enough to even be certified gold
by the RIAA. The sales of the album were based on the Dave Matthews
Band relentless committment to touring, a characteristic that
the band has always remained dedicated to.
The sales of Remember Two Things lead to a record deal with RCA,
and the band released its major label debut Under The Table and
Dreaming in 1994. Produced by Steve Lillywhite (U2, Rolling Stones),
the album eventually became certified four times platinum by the
RIAA. Despite success, the band remained focus on it's grass-root's
dedication to simplistic, melodic sounds and an eclectic live
show.
Despite the fact that many still did not hear of the Dave Matthews
Band, their second RCA release, Crash, debuted at number two on
the Billboard 200 chart and was eventually nominated for two Grammy
Awards. DMB were now certified American icons, and their continued
success virtually guaranteed.
Their next release, the quietly released Live at Red Rocks 8-15-95
proved, yet again, of the band's immense popularity. Despite the
fact that it was released with no marketing or promotion, the
album debuted at number three on the Billboard 200 chart and was
quickly certified platinum. The Dave Matthews Band quickly followed
with 1998's Before These Crowded Streets, which was the band's
first number one album and marked the start of an intense, year-and-a-half
cross-country tour that became one of the biggest-grossing acts
of the '90s
There was a time when every rock 'n' roll movement sprung from
the grass roots. And while much has changed over the years, a
band working entirely on its own -- outside the parameters of
current trends -- can generate the kind of organic electricity
that marketers spend a fortune trying to create. Case in point:
the Dave Matthews Band.
Since Matthews -- a South African expatriate who settled in Charlottesville,
Va., after leaving his homeland as a teenager -- put together
the genre-blending combo, the quintet's charged live shows have
made them one of the biggest pop-rock draws in North America.
Their self-released debut, 1993's Remember Two Things, sold at
a rate of more than 10,000 copies per month -- a remarkable feat,
considering the album was distributed exclusively from the band's
office. Their major-label debut, Under the Table and Dreaming
was produced by Steve Lillywhite (U2, Talking Heads, Rolling Stones)
and captures every nuance of the band's live shows.
With singer/guitarist Matthews' vulnerable, expressive voice
at the fore, the band (reedman LeRoi Moore, violinist Boyd Tinsley,
bassist Stefan Lessard and drummer Carter Beauford) weaves a mesh
of sound, that the Raleigh Spectator described as "stunning...as
cool, as evil and as furious as rock has ever been."
"The way I look at it, we have five lead voices in this
band," Matthews says. "I may be the first thing people
notice, since I do the singing, but there are times when LeRoi's
sax is the voice, and times when Boyd is at the front. And in
Carter and Stefan, we have something that goes far beyond a simple
rhythm section. There are very few times when the audience has
just one thing to listen to."
The band's third album, 1996's Crash, contained the radio mega-hit
"Crash Into Me," which was nominated for two Grammy
Awards.
In October 1997, the DMB released a double CD of the group's
August 1995 live performance at Red Rocks in Colorado. The following
year, they released their first studio album in two years, Before
These Crowded Streets, following it up with another tour. Two
double-CD live sets followed in 1999: Listener Supported and Live
at Luther College, the latter an acoustic duo showcase for Matthews
and fellow guitarist Tim Reynolds
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